Movie Review by Sergio Martinez
Denys Arcand's most recent film reaffirms him as an
irreverent, incisive, and brilliant filmmaker. Testament satirically
takes on the excesses of political correctness, the imposture of those young
Anglophones who embrace other people's causes and of those intellectuals who
pose as rebels, health freaks, bureaucrats, the mediocre Quebec political class
and the old nostalgic Quebec nationalists. As if that were not enough, it also
offers us a gentle vision of ageing and the importance of love, no matter what
age.
Jean-Michel Bouchard (Rémy Girard) is 70 years old, living
in a retirement home appropriately named Maison Parizeau-Duplessis, but still
active as a civil servant at the National Archives. At this point in his life, however, he is
just waiting for the natural course of things to lead to his death, which he
hopes will be quiet and probably unnoticed by anyone. He has a somewhat cynical
attitude to existence, both his own and that of others.
Sophie Lorain as Suzanne, and Rémy Girard as Jean-Michel in Testament, the most recent film by Quebec director Denys Arcand |
For her part, Suzanne (Sophie Lorain) is the director of
the establishment and tries to run it as efficiently as possible and follow
official directives to the letter. Basically, life at the nursing home goes on
in an expected and uneventful routine.
However, the tranquillity and predictability of the
residence will suffer a serious disruption when a group of activists learns
that a mural adorning the main room contains images, they consider offensive to
First Nations. The mural depicts the encounter between French explorer Jacques
Cartier and a group of indigenous people. The leader of the young activists —all
English-speaking— remarks that the Europeans are carrying guns and that one of
the indigenous women has her breasts bared, which, in the young protester's
opinion, "makes her a sexual object." The impact of the
"offensive" mural will grow due to the media exposure it gets,
forcing the intervention of the minister in charge of the case, who is
questioned in the Quebec legislature. Through the bureaucrat on duty, she will
force Suzanne to take a radical measure, which she will eventually come to
regret.
The hitherto indifferent Jean-Michel, for his part, will
gradually become involved in the case. He had previously attended a
prize-giving ceremony for Quebec writers where he had been awarded one, but it
was not clear to him why. The occasion in any case serves the filmmaker to
ridicule much of the fashion of a literature that is supposed to be
groundbreaking in form and content. In much of it, there is an attitude of
posturing. A hilarious moment is offered by the poet who presents the title of
her work: "The vagina on fire”.
The controversial painting |
For his part, Jean-Michel, from his loneliness, can also
understand the loneliness of others, including that of Suzanne, who has not
seen her only daughter for years. This will lead him to change some of his
convictions.
Testament aims at many targets in an ironic way |
Testament is a film that captivates
the viewer from the first moment, especially those of us who like irony as the
most subtle and elegant way to express our critical view of society. Remarkable
performances by Girard and Sophie Lorain, complemented by an intimate cinematography
that helps to enter the feelings of the characters make it a film that we
highly recommend.
Running Time: 1 h 55 min.
In the Montreal region, it is shown at Quartier Latin,
Forum (with English subtitles), Beaubien, StarCité, Carrefour Angrignon,
Mega-Plex Marché Central, Mega-Plex Taschereau, Mega-Plex Jacques Cartier,
Mega-Plex Sphèretech, Mega-Plex Lacordaire, Cineplex Odeon Brossard, Mega-Plex
Pont Viau, Cineplex Odeon St-Bruno, Cineplex Laval, Carnaval, Mega-Plex
Terrebonne, Cinéma Triomphe, Cinéma St-Eustache, Mega-Plex Deux Montagnes,
Mega-Plex-S-Jean, Cinéma Beloil, Capitol St-Jean and Cineplex Odeon Carrefour
Dorion.
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