Movie Review by Sergio Martinez
This was one of the Latin American films shown
at the Fantasia Festival, and it was certainly one that was widely acclaimed by
the public. It is also the first Mexican film made in stop-motion, an animation
format that requires a considerable amount of time (three years, the filmmakers
told us), as it involves filming each movement of the dolls or figures
separately not to mention the film's elaborate set desi
gn and the effects
necessary to transmit the sensations of terror and surprise that the various
scenes of I am Frankelda deliver.
From that point on, however, the two parallel worlds —the narratives and their characters, which then take on real life —will intertwine. In fact, Herneval, the prince of that world of dreams and nightmares, had been able to reach that real world and ended up contacting the young writer, who by then had already adopted her new name: Frankelda, her homage to Mary Shelley, creator of Frankenstein.
The parallel world in which Frankelda will venture is not exempt from the palace intrigues that abound in the real world, and the young writer will also be involved in the events that occur there.
I Am Frankelda is a charming film in which the nightmares and fears of the author herself-and by extension, we could say, of all of us-converge with the girl's will not to let herself be defeated or abandon her new friends. Her images take us into a surreal atmosphere, further highlighted by the presence of monstrous-looking characters, although, by the way, not all of them are villains.
The two filmmakers (Arturo and Roy Ambriz)
and the art director of the film
Although it was only shown for one day at Fantasia, it is likely—and we hope—that it will be released in Montreal in the near future.
Running time: 113 min.
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